Demetrius Cantemir: The Collection of Notations: Volume 2: Commentary (SOAS Musicology Series) by Owen Wright

Author:Owen Wright [Wright, Owen]
Language: eng
Format: azw3
ISBN: 9780754602811
Publisher: Taylor and Francis
Published: 2017-07-04T16:00:00+00:00

107 The breakdown for the individual pieces is as follows:

108 The breakdown for the individual pieces is as follows

109 Feldman (op. cit., pp. 342-3) provides both a transcription of 27 (but with no mode signature for H2 and H3) and (pp. 343-4) an analysis, and a transcription (p. 487) of 243. On the derivation from 243 (proposed on pp. 487-90) of a later saz semaisi attributed to Cantemir see 5.4.

110

111

112 It is always f# that appears in ascent (f, in any case rare, is confined to descent and to the e f e flexure).

113 Although possibly Cantemir wished to imply that the higher register of pençgâh resembled the lower register of rast, where is preferred to F#.

114 Discounting 242 (where the dip beiow is occasioned by the transposition down a fifth of the preceding B d cadence) the corpus of eleven pieces provides only one example: 128 Mb.

115 This occurs at the end of H1a in 295 and of H1 in 3, 27 and 128; and at the end of Ma in 120 and of M in 126, 242, 244 and 321. In 243 there is a descent to G in H1 and M, but in both cases followed by an ascent to cadential d. Both sections have been included.

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